What perspective would you like critique from? If there works are simply practice then I would say you're on the right track. You need to do more life studies. Drawing from your imagination is not helping you, and while it is good to keep you interested, you need a base of life drawing to work from.

Your 3d work is not bad, but it is very basic. I would say work on your texturing and work on fitting several models together in one coherent space.

If these works are for a professional portfolio and you're looking for work, I would say that none of it is portfolio ready. While your vector work is definately the strongest area, it is still a ways of from professional standard. The closest to portfolio worthy would be Rock Girlm but the abundance of music notes that all look the same and are at the same orientation is off putting. Put a few different notes in there, change the angle on some of them so that theyre not all up and down.

Graphic design is based in simplicity. Logos are severely limited in several ways. keep in mind when you design an image that it's actual print size may be anywhere from 1/2 an inch to full sheet size and needs to be understandable at any size (expecially a challange at the very small sizes). You should limit yourself on the amount of colors you use in a piece (many times, due to printing expences you will be limited to 1, 2, or 4 colors). The cow picture is in this vein, but I feel like I've seen it somewhere before. Which leads me to my next point...

Your vector pieces are very different, both stylistically and quality wise from your pencil and painted pieces. I don't mean to sound accusatory, but I would like to know if you vectorize photos or preexisting images, because your style jumps around so much. The difference between Rock Girl and Bodybuilder is huge.

Things I would suggest you do:
Graphic design: Basic composition exercises, more sample logos.
Vector pieces: Assuming rock girl is 100% original work (not sampled from a photo or other work), create more in this vein. This piece and style with a little tweaking could be very successful.
Drawing: Still lifes and life drawing, value and shading exercises.
3d: Models existing in a coherent space.


I can get more in depth if you like, but I would urge you to practice more and build a specialized portfolio before you go out looking for work just yet.

-W

WOW This was one brutal critic that i respect a lot, i will keep in mind everything that you told me to do, my art is hard mix of everything and because of that its big deference between my works, but i would choose to develop some more only on graphic design, drawing an vectors 3d modulator is not my territory .

I am impress by this critic and hope for some more.

Tanks again Doomsplosion.

But here is one more question:

If i have to choose between vector pieces, graphic design and drawing what should i choose...

If i have to choose between vector pieces, graphic design and drawing what should i choose these is all original and 100% my work i am a little bit lost between this areas...

You seem to have some basic perspective issues, like with your church building and you sports car. The objects aren't consistent with their form and shape and the space that they are in.

I'm not even sure what you're doing with the photographs of the glasses. Are they for a school project or work related? they are oddly cropped and lack depth.

You might also consider taking some classes on human anatomy.

I honestly don't know anything about vectoring, so I'm so help to you in that category.

Keep at it!

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Sorry, but we ask to promote only prints in here
FAQ #516: How do I create a thumbnail of one of my prints to display in the prints thumbshare forum?

If you want to share deviations (and get critic on them), you should try the Thumbshare Forum



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