I'm working on a graphic novel and there is a pivotal moment in the story and I can't decide how to go about it:
The main character has received ghost powers from an old mask and he cool with it, but he follows a grim reaper who tells him he could be useful if he beats him to his next job. The main character arrives at the train station and sees a grief-stricken woman about to step in front of an oncoming train.
I can't decide if I should have him: A) Save the woman B) Not get there in time
Go for A, so you can find out what the reaper has in mind. You also get the bonus of a supporting character (the woman) who might react to being saved in a way that makes your character's life interesting, and perhaps not for the better.
I can see why you might want some feedback on this particular issue but, as well as it ultimately being your decision, there's not enough for us to go on. Saving the woman would be dramatic. Failing to save her would also be dramatic. But what's really important is what happens next. How does the woman's fate affect the story? Unless you can explain the significance of these two possible outcomes, nobody will be able to say anything either way.
Like `saintartaud said, both hold the power to make your story very different from one another. It depends how YOU want your story to go. Ask yourself, what would make a better story out of those options and if YOU were the reader, what would YOU PERSONALLY enjoy reading. Just work out both scenarios in your head/on paper and see which you think is more appropriate to your story and what you want.
If it's really a pivotal moment, then you really ought to be the one making the decision. Why ever would you want a bunch of strangers to be deciding how your entire story should be shaped?
Play out each scenario in your head, see which one is more interesting to you. Each option holds the potential for a very different story, so ultimately it's just a matter of what story you want to tell.
The main character has received ghost powers from an old mask and he cool with it, but he follows a grim reaper who tells him he could be useful if he beats him to his next job. The main character arrives at the train station and sees a grief-stricken woman about to step in front of an oncoming train.
I can't decide if I should have him:
A) Save the woman
B) Not get there in time
Your thoughts? Help is appreciated